A Dream of Touch When Touch is Gone

Carl Flink

Crystal Edwards

United States

8

No

No

en

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Carl Flink
Choreographer & Director
Crystal Edwards
Producer
Ryan Stopera
Editors
Joey Weaver
Editors
Hannah Albers
Key Cast
Alexandra Bodnarchuk
Key Cast
Patrick Jeffrey
Key Cast
Ryan-Olivia Lundy
Key Cast
Sarah McCullough
Key Cast
Rachel Miller
Key Cast
Ashley Pyle
Key Cast
Joe Tennis
Key Cast
Paula Vasquez Alzate
Key Cast
Elliana Vesely
Key Cast
Cheng Xiong
Key Cast
Greg Brosofske
Composer
Carl Flink
Concept

A dream, a vision told through movement of falling into the COVID reality and dreaming of the moment we emerge back to physical touch as an essential need of our society and humanity.

"A Dream . . ." was shot in September 2020 at the height of the COVID pandemic when vaccinations seemed distant and performing arts groups were desperately trying to figure out how to get back to work. Carl Flink, artistic director of the Minneapolis based dance company Black Label Movement, approached Dr. Jon Hallberg from the University of Minnesota Medical School and asked if an affordable COVID "bubble," ala the extremely expensive "bubbles" the professional sports leagues were implementing, could be designed to allow for responsible physical contact and removing PPE to create, perform and present new work. Hallberg said he thought there was and designed an affordable "bubble" that allowed Black Label to produce this film without anyone involved contracting the COVID virus.

Flink makes his debut as a filmmaker and director with this film and his other 2021 short film "cage(d)."

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Carl Flink is the founder and artistic director of the United States based dance company Black Label Movement (Minneapolis, MN) and the Nadine Jette Sween Professor of Dance and Director of Dance at the University of Minnesota – Twin Cities. Featured in Dance Magazine's January 2014 issue, Flink’s dancemaking is noted for its intense athleticism and physical risk taking, compositional intelligence and humanistic themes as a contemporary choreographer for both concert dance and theater.

His commissions and invited presentations include the American Dance Festival (Durham, NC), Bates Dance Festival (Lewiston, ME), The Minnesota Orchestra, VocalEssence (Minneapolis, MN), MADCO (St. Louis, MO), University of Florida Performing Arts (Gainesville, FL), Same Planet Different World (Chicago, IL), Urbanity Dance (Boston, MA), The Cowles Center for Dance (Minneapolis, MN), University of Utah (Salt Lake City, UT), Company C (San Francisco, CA), James Sewell Ballet (Minneapolis, MN). His work has been set on dance programs across the United States, such as Stanford University, University of Illinois, University of Iowa, Brigham Young University, University of North Texas, Mount Holyoke College and Utah Valley State University.

Flink has garnered significant recognition for his innovative collaborations with scientific researchers through his Moving Cell Project with University of Minnesota biomedical engineer David Odde and the creation of embodied TED talks. and beyond. Their Bodystorming System, a rapid modeling technique using human bodies and choreographic strategies, has been highlighted by Science Magazine, Dance Magazine, Twin Cities Public Television’s Minnesota Original and TPT TV Takeover and TED Talks for TEDx Brussels and TEDMED 2013 (Washington D.C.). They have presented Bodystorming at such notable research centers as the Marine Biological Laboratory, Woods Hole, MA and the National Centre for Biological Sciences, Bangalore, India. His pathbreaking 2011 TEDx Brussels Talk co-created with Science Magazine writer and chemist John Bohannon A Modest Proposal: Dance v. Powerpoint (over 500,000 online views) offered the innovative idea of how dance artists and scientists could collaborate to the mutual benefit of their research. He has created three other TED Talks including Let’s Talk About Sex for the 2012 TED: Full Spectrum (Long Beach, CA) and most recently A Dream of Touch When Touch is Gone for the 2020 TEDx Minneapolis.

As a director and choreographer for Theater, Flink is noted for his edgy and aggressive movement approach in awarding winning productions for nationally recognized organizations like The Guthrie Theater (Minneapolis, MN) and Theatre Latté Da (Minneapolis, MN), as well as his critically acclaimed immersive theater productions of Woyzeck and Swede Hollow Ghost Sonata with fellow Twin Cities theater artists Luverne Seifert and Darcey Engen.

Flink's awards include the UMN CLA 2020 Dean's Medal, two 2016 Regional Emmy Award nominations, 2015 Twin Cities StarTribune Best of MN, a 2014 MN Dance Community Sage Award, 2008 and 2012 McKnight Artist Fellowships for Choreography, and 2010 and 2012 MN Ivey Awards. The Twin Cities Public Television Minnesota Original 2012 Episode featuring Flink’s A Duet for Wreck received a 2012 regional Emmy Award for Outstanding Performance.

During the 1990s, Flink was a long-time member and soloist for the Limón Dance Company in NYC where he also performed with Creach/Koester Men Dancing, Janis Brenner & Dancers, Paul Taylor and others. He holds a J.D. from Stanford Law School JD, a University of Minnesota Political Science and Women Studies B.A. summa cum laude and was a Farmers’ Legal Action Group, Inc. attorney (St. Paul, MN) from 2001-2004. He continues to work on his most important collaborative project raising his three daughters with his wife and former Limón dancer Emilie Plauché Flink.
Director Statement

"A Dream of Touch When Touch Is Gone" and "Cage(d)" are the first dance or movement based films I have created and directed. They were both completed in spring of 2021. My goal is to make movement central to the concept and story telling in my films. As a long time professional choreographer, I embraced the challenges presented by the COVID pandemic to creating live performance and took on the opportunities presented by making movement centered films as a new pathway to creativity.