Dignity (Würde)
Σκηνοθέτης - Director
Nadja Görts
Χώρα / Χώρες Παραγωγής - Country of Production
Germany
Διάρκεια σε λεπτά- Duration in minutes
6
Φωτογραφία Σκηνοθέτη - Directors Photo
Συντελεστές - Movie Credits Actors,photography,sound etc
Nadja Görts - Director/ Choreographer
Jens Wirtzfeld - Director/ Director of Photography
Friederike Günther - Dancer
Ribwar Rostami - Dancer
Isilay Özcay - Dancer
Oana Moczulski - Dancer
Benedikt Görts - Executive Producer
Tim Menzel - Line Producer
Thorben Winkler - Video Installation
Nico Dupon - Editor
Lennart Koch - 1. AC
Wiebke Amelung - Make-Up Design
Dominika Zajac - Titel Design
Jennifer Weitz - Postproduction Supervisor
Jens Wirtzfeld - Director/ Director of Photography
Friederike Günther - Dancer
Ribwar Rostami - Dancer
Isilay Özcay - Dancer
Oana Moczulski - Dancer
Benedikt Görts - Executive Producer
Tim Menzel - Line Producer
Thorben Winkler - Video Installation
Nico Dupon - Editor
Lennart Koch - 1. AC
Wiebke Amelung - Make-Up Design
Dominika Zajac - Titel Design
Jennifer Weitz - Postproduction Supervisor
Περίληψη στα (Αγγλικά) μέχρι 100 λέξεις - Summary (English) up to 100 words: Και οι Ελληνικές ταινίες να εχουν περίληψη στα Ελληνιικά και Αγγλικά
Is human dignity inviolable?
In the garden room of the Cromford mansion, four dancers grapple with their understanding of dignity. Dressed in workers' overalls, they form a considerable contrast to the sumptuously furnished room, which was once facilitated by child labor in the 18th century. The diverse cultural origins of the dancers underline their different understanding of dignity and human rights.
The complexity of the topic is also supported with the help of fractal technology. For this, the dancers interact with a separate camera, which was placed directly in front of a monitor showing the filmed images. The inertia of the image transmission results in a time delay in the choreography and thus creates new approaches to movement. The result is a kaleidoscope as versatile as the understanding of dignity itself.
In the garden room of the Cromford mansion, four dancers grapple with their understanding of dignity. Dressed in workers' overalls, they form a considerable contrast to the sumptuously furnished room, which was once facilitated by child labor in the 18th century. The diverse cultural origins of the dancers underline their different understanding of dignity and human rights.
The complexity of the topic is also supported with the help of fractal technology. For this, the dancers interact with a separate camera, which was placed directly in front of a monitor showing the filmed images. The inertia of the image transmission results in a time delay in the choreography and thus creates new approaches to movement. The result is a kaleidoscope as versatile as the understanding of dignity itself.
Βιογραφικό (Αγγλικά) μέχρι 100 λέξεις - Curriculum Vitae (English) up to 100 words: Και για τους Ελληνες Σκηνοθέτες
Nadja Görts studied musical theater and is currently a dance master student at the German Sport University Cologne, Germany. She has appeared in numerous dance performances, musicals, operettas and operas and is working as a choreographer at home and all over Europe. She is also a music theater educator for the German Rhine Opera. Her dance film debut DIGNITY won awards at international film festivals and the live adaptation premiered at Cromford Manor in April 2022. Nadja is currently working on a new performance dealing with the relationship between mother and daughter.