A Corporeal Path
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Villy Goussiou
8
Greece
2026
Α Corporeal Path is a film of a site-specific performance created for the Prespa Walking Conference, exploring themes of human interconnectedness, ecological fragility, and the temporality of existence. The performance invited participants to form a living path by lying down in succession on the ground, creating a corporeal bridge through the landscape. A walker traverses this human path, and with each step, the last participant rises, renewing the path in an endless cycle of trust, support, and renewal. The film integrate a narrative and an echotopia—a carefully curated soundscape blending natural sounds, human whispers, and abstract tones. Set against the ecologically rich and symbolic landscape of Prespa, Corporeal Path is both a live artistic intervention and a meditative act. It emphasizes the human role as both a burden and a caretaker of the natural world, inviting participants and viewers alike to reconsider their place within the interconnected web of existence. Located as it is in the ecologically rich environment of Prespes in Greece, A Corporeal Path is a live artistic intervention, a meditative act. At the same time, it constitutes a platform for a continuous artistic questioning and reinterpretation. It emphasises the part humans can play both as carers and possible destroyers of the natural environment.
Villy Goussiou is a visual artist and director who lives and works in Thessaloniki. Her artistic practice includes sculpture, painting, installations, performance and moving image. Her work explores the relationship between form, space and memory, often creating situations in which the body, the environment and human participation become active elements of the artwork. Education • 2023 — Master's Degree, Visual Arts and Landscape: Approaches to Natural and Urban Space, direction: Visual Art Practices, University of Western Macedonia, School of Fine Arts, Florina. • 2021 — Diploma of Visual and Applied Arts, Aristotle University of Thessaloniki (A.P.Th.), grade 8.74 — Excellent. • 1999–2002 — École des Beaux-Arts de Saint-Étienne, France. Supervising professor of sculpture: Marc Charpin. Scholarship by École des Beaux-Arts de Saint-Étienne. • 1997–1999 — École des Beaux-Arts de Saint-Étienne, France. Supervising professor of sculpture: Marc Charpin. Diploma grade: avec Félicitation — Excellent. • 1994–1997 — Diplôme National d'Arts Plastiques, École des Beaux-Arts de Saint-Étienne, France. Diploma grade: avec Mention — Very good. Selected Exhibitions & Projects • 2024 — ΦΥΣΗθιοθεσία, Archaeological Museum of Florina. • 2014 — Group exhibition, Stratopedo Kodra. • Solo exhibitions and artistic projects in France. • Installations in public and natural spaces, performances involving human participation, and video/visual media projects.
An Ordered Collection of Figures
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Arman S. Haghi
7
Australia
2026
This unscripted experimental film brings improvised music & theatre together with poetry to explore resentment, social exclusion, and the healing power of forgiveness.
Arman S. Haghi is an Iranian-born Australian filmmaker. Arman works as a writer, director and producer. His films fuse experimental A/V art with a more mainstream cinematic language to explore themes such as social connection, belonging, trauma, and the search for identity.
and so, it begins
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Jocelyn ROBERT
12
Canada
2026
This film is probably about climate change, and global warming. Ice melts, water rises. But maybe there is also poverty in it, and pain. Maybe it is about solitude, or helplessness. Or maybe simply about sadness. We all know things are getting bad but it always seems to escape our grasp. Life goes on and there is no way to hold it. This movie is almost certainly about the times we live in and the decay we witness. But maybe it is simply about the throat cancer I had a couple of years ago that still waits for me in the background of my life. I don’t know.
Jocelyn Robert is a multidisciplinary artist from Quebec. He works in music, audio art, computer art, performance, installation, video and writing. His visual and video work has been shown internationally and his sound works have been published on more than 40 albums. Many texts have been written on his art, and two solo catalogues have been published, one by Galerie de l’UQAM and one by Centre Vox. He is involved in art activism at different levels. Amongst other undertakings, he founded that audio and electronic arts centre Avatar and took part in the foundation of the Meduse cooperative. He taught at Mills College (Oakland, California), at Université du Québec à Montréal and at École d’art de l’Université Laval, where he has been director from 2012 to 2017.
Antifragility
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Serafim Chikhladze
19
Russian Federation
2026
Five scientists are trying to decipher the signal from a strange alien organism that suddenly appeared on The Earth...
Born in 1997 in Moscow. Studied at a sports pedagogical college and then in 2016 entered VGIK, into V.I. Romanov's screenwriting workshop. In 2020, he graduated, having several short directorial works to his name. Continued to work as a director and screenwriter. In 2024, he directed the pilot for the series “Field” for the START platform and successfully toured with it at a number of major Russian festivals. Lives and works in Moscow.
APORIA
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Christoph Janetzko
7
Germany
-
APORIA is an artistic short film that uses digital techniques to create a distinctive, stylised visual world between reality and imagination. Transformation, colour and painterly textures form a consistently developed visual language in which familiar images gradually elude any fixed interpretation, giving them a distinct aesthetic dimension. A journey begins, seemingly light and effortless at first – and gradually evolves into something entirely different. For me, as someone living in Berlin and frequently travelling by train, the film also reflects a deeply personal experience of powerlessness in the face of events unfolding not far from where I live. What began as an exploration of artistic form gradually developed into an attempt to give this feeling a visual expression. A journey begins — seemingly light and effortless at first — and gradually transforms into something entirely different.
Christoph Janetzko’s influences stem from different places all over the world. His formal education: at the Brunswick University of Arts in West-Germany, studying ’Film as Art’. He followed later a scholarship at ‚Graduate Department for Film and Television - New York University‘. Beside his own artistic projects he is working in the industry in different capacities and isn’t even afraid to tackle commercials. Over time, several awards helped balancing his income as lecturer at arts and media colleges in the US, Thailand, the Philippines, Brazil and Germany. His numerous festival participations stretch from China to the US, from Brasil to France. Currently, Janetzko is a resident of Berlin. His films are available at: re:voir
BLISS
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Ayelet Carmi, Meirav Heiman
10
Israel
2026
In the film "BLISS" a group of women escape a traumatic event to create a utopian, self-sufficient community, becoming a living caryatid that explores the power of femininity, nature, and the search for grace
Creating "BLISS" was crucial because it speaks to a fundamental human need: finding hope and community after trauma. The story explores how women, when faced with an existential crisis, can build a new world rooted in strength and ancient myths. The final film closely aligns with our artistic vision. We aimed to create a surreal, timeless world that feels both familiar and distant, using symbolic imagery like the "caryatid" to convey resilience and the search for grace. The experience of making this film, especially the scenes shot just days before a devastating real-world event, highlighted the prophetic power of art. It solidified our belief in the importance of storytelling as a way to process, heal, and find meaning in a fractured reality.
Body-to-Body
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Eleonora Manca
7
Italy
2026
Moving towards the dark side. From the stranger who sleeps within us. In the hybrid of every ridge. In the inner labyrinths. Carrying news of ourselves, on the tip of the beak. How many rooms do we need to calculate the distance between us and the dream? What changes the anatomy of a vision? From one inside to another inside. Two worlds, one inside the other, a little bit of one, a little bit of the other, sliding into a continuous body-to-body. Confronting the mirror, as if for the first time, negotiating with a hybrid, prosthetic body until exploring the mask as an archetype of the unconscious, so that it becomes the magical tool for not giving up on exploring other metamorphoses.
Visual artist. She uses her body as the main means to investigate the themes of metamorphosis, memory and body memory; exploring psychology, the unconscious and hypnagogic images. She has exhibited in numerous festivals, solo and group in Italy and abroad. Lives and works in Turin (Italy).
BOOK OF SKIN
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Neil Kendricks
10
United States
2025
Surreal and provocative, artist-filmmaker Neil Kendricks experimental short film, "Book of Skin" reimagines the myth of Pygmalion with a gender-bending twist as an artist's fantasies and nightmares expressed in her drawings suddenly appear as shape-shifting, phantasmagoric images on the body of an artist's model during a life-drawing session. Inspired by the filmmaker's observations teaching life-drawing classes, this unusual short film sets the bar high with the challenge of creating something that most viewers have never seen before: "Book of Skin" features actor-artists creating real drawings in real time while portraying fictional characters on camera in a scripted narrative. The film offers an intoxicating mixture of "cinema verite," documentary style camerawork and surrealism. "Book of Skin" has won 12 awards - mostly for "Best Experimental Film" - on the international film-festival circuit so far.
Neil Kendricks, Writer-Director-Co-Producer
Neil Kendricks is a filmmaker, artist, photographer, writer, educator and the former Film Curator of the Museum of Contemporary Art San Diego (MCASD). Kendricks earned a Master’s degree in Television, Film and New Media from San Diego State University in 2006. His award-winning short films like 2002's "Loop" have screened at numerous international film festivals including the Palm Springs International Festival of Short Films, the Comic-Con International Independent Film Festival, the 2002 Havana Film Festival, and a special short-film screening at the 2003 Cannes Film Festival’s American Pavilion.
Kendricks' photography has also been exhibited at the San Diego Museum of Art, the African-American Museum of Fine Arts, London's Royal College of Art, and many other venues. His first solo photography exhibition, "Bruised Eye Candy" was shown at San Diego’s now-defunct Spacecraft gallery in February 2008. Kendricks also produced, production designed and storyboarded media theorist Jordan Crandall’s film, "Heatseeking," which was shown at inSITE 2000 and exhibited in the Whitney Museum of American Art’s "BitStream" exhibition, the first digital-arts exhibition shown at a major American art museum.
Kendricks’ 2008 short, "Beholder" (co-directed with artist Jim Cavolt) screened at the 2009 San Diego Latino Film Festival and the Athens International Film & Video Festival. Kendricks is currently in production on the documentary-in-progress "Comics Are Everywhere!" and he was among the curators of 2014’s inaugural Filmatic Festival.
An early version of Kendricks' 2015 experimental short film "Memory Lines" was originally commissioned as an outdoor video installation for the 2015 Filmatic Festival at the University of California, San Diego. In 2015, Kendricks also collaborated with filmmaker and editor Carlos Pelayo on the experimental video "Wounded Sky," which premiered as a video installation at San Diego's Not an Exit gallery. Their collaboration was featured in San Diego CityBeat:
http://sdcitybeat.com/article-14289-neil-kendricks-and-carlos-pelayo-screen-their-collaborative-video-art-installation-'wounded-sky'-at-not-an-exit-gallery.html
“Suspension” is a short film in Kendricks’ ongoing collaboration with Pelayo on a series of video-artworks titled “Elemental Magic.”
Kendricks’ select photography, drawings, and short films can be viewed on his Web site:
https://neilkendricks.wordpress.com/
Kendricks and his friend and frequent collaborator, composer Mike Mare continue to work on their interdisciplinary art-and-music project "Temple of Story," which was shown at the Oceanside Museum of Art from October 2021 to February 2022. The latest pieces in their "Temple of Story" project will be shown at the Lowe Mills Art Center in Huntsville, Alabama in June 2026.
Epoque
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Diana Chem
11
Greece
2026
“Epoque” makes a strong reference to the differences between the city and nature. Starting the journey from the smoky and polluted city, going through situations in the different seasons, and ending or returning to the pure waters of nature, where God is found.
Diana Chem is an award-winning experimental filmmaker for her films "Letter" and "Regression". Diana's other interests are writing short stories on her website, as she has published her first book, "Crazy but Ok." Her interest in filmmaking has given her the opportunity to take part as a judge at various film festivals and participate in many as a creator, receiving recognition and honorable mentions. She has also built a strong modeling career and followed the fashion industry globally. She now lives between Athens and Paris.
EQUAL
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Tom Bessoir
4
United States
2025
EQUAL is a cinematic exploration of Richard Serra’s sculpture of the same name on display at the Museum of Modern Art. The sculpture consists of eight forged-steel blocks stacked in pairs. Each rectangular block measures 5 feet by 5 and 1/2 feet by 6 feet and weighs 40 tons. The blocks are rotated and stacked so that the top and bottom blocks align differently. Yet the four stacks are each 11 feet tall. This simple form makes me think about space, mass, weight, and time. Like the sculpture, my film seeks to both overwhelm the viewer and invite contemplation. THIS FILM SHOULD BE PLAYED LOUD IN A DARK ROOM
Tom was born and raised in the Astoria section of Queens in New York City in 1957. From there he commuted by subway to attended The Bronx High School of Science. Tom studied mathematics and electrical engineering at The Cooper Union for the Advancement of Science and Art. While attending the Engineering School, he took advantage of Art School classes, focusing on film theory and studying experimental filmmaking with Robert Breer. In the late 1970s, he started photographing the downtown music scene. His photographs have appeared on dozens of records as well as in films, books, magazines, and newspapers. Tom Bessoir’s experimental films often use mathematics and randomness to explore perception and the structure of cinema. In the arts, Tom Bessoir is best known for Microfilm (1979), Digits of Pi (2019), and his photography documenting downtown NYC.
Experiments in Awakening
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Marina Fomenko
2
Russian Federation
2026
Several years ago, I photographed young fern shoots as they were emerging. For a long time, these photographs remained still images, preserving a state before movement, before the unfolding of form. In Experiments in Awakening, I return to these photographs and, with the help of AI, set an imaginary life in motion within them. The shoots slowly move, tremble, reach upward, attempt to unfold, and curl back inward before fully opening. This is neither a botanical time-lapse nor a reconstruction of real growth, but a series of experiments in awakening the image. Macro photography shifts the optics of perception, transforming the fern into something between a plant, an embryo, and a fossil. The familiar plant becomes an uncertain living form, observed at the edge of visibility and recognition. Through AI-assisted movement and sound, the film explores non-human time, fragile becoming, and the unstable boundary between observation and imagination. It approaches ecology through attention: nature is not shown as scenery, but as a living presence with its own rhythm, mystery, and vulnerability. The film explores a fragile moment of becoming, where awakening remains unfinished and reversible.
Artist and independent curator based in Moscow, RussiaGraduated from Moscow Technical University of Communications and Informatics, Free Workshops School of Contemporary Art of Moscow Museum of Modern Art, Prague School Media.Founding director and curator of International Video Art Festival Now&After
Fine
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Meirav Heiman
5
Israel
2025
This video work captures a structured family mealtime going haywire. Ordinary domestic routines dissolve into a chaotic, spectacular performance as the familiar, fragile space of home completely falls apart
Meirav Heiman (1972, Jerusalem) is a multimedia artist. She holds a B.F.A. (cum laude) in Photography from the Bezalel Academy and is finishing an M.F.A. in Film. Heiman has exhibited at the – Herzliya Museum of Contemporary art, Haifa Museum of Art, Tel Aviv Museum, Petah Tikva Museum, the Israel Museum Jerusalem, and The Bass, Miami Beach. Heiman has also shown video and multimedia works at festivals and biennales overseas.
Fragments of Memory and Collective Trauma'
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Elpiniki Voutsa Rentzepopoulou
4
Greece
2025
How could the absurdity of war ever be conveyed through any organized form of art or discourse? Even rationalism—the pride of our civilization—has lost the battle against human greed. The writing of history by those in power leaves behind only injustice and wounds. It silences lived experience (especially of those from below), and with it, countless stories are erased—stories that will never be read in books, never passed down through generations. This silence allows us to believe that fascism was a singular occurrence, somewhere, sometime, in the past. Our grandmothers’ bodies remember; their obsession with certain repeated phrases bears witness. Inspired by the open call of the “Small Stages” of the Days of Remembrance Festival in the martyred village of Kondomari, this video art piece was presented among other artistic works, under the title:
Elpiniki Voutsa Rentzepopoulou is a self-taught film director and editor. Her first feature film, “Who Will Be Eaten” (2020), participated in the Thessaloniki International Film Festival and received the FIPRESCI “Theodoros Angelopoulos” Award at the 33rd Panorama of European Cinema (2020). In co-direction with Maria Pentari, she received the Audience Award for the documentary “Tell Me the Secret” at the Chania Film Festival (2024). She was a member of the Paola Team Documentaries for seven years, working as a co-director, cinematographer, and editor. Notable works include “Kaliarda” (2015), which participated in the Thessaloniki International Documentary Festival and the Athens International Film Festival, and “Οrleanders” (2021), which was screened and awarded at the Thessaloniki Documentary Festival, and also participated in the Griechische Filmwoche (Munich), the Merlinka Festival (Belgrade), and the Athens International Film Festival. She worked as a researcher for the Istorima digital oral history archive (2021) and was the editor of four episodes of the ERT series “The Secrets of Music” (2016–2017), directed by Nikos Kypourgos. Her latest short film, “The Garden with the Roses”, participated in several festivals, including the MPart Festival (Larissa, 2025), where it received the Audience Award. She lives and works in Chania and is a member of the Chania Film Festival team.
LALA
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
juan pablo Polanco
8
Chile
2026
My grandmother has used the exact same sewing machine for 65 years. This short film observes her daily ritual: the pedal, the thread, the sound. It is not a film about how to sew, but about the intimate connection between a woman and an object that has borne witness to her entire life.
Juan Pablo Polanco Fuentes (Santiago, Chile) developed a connection with photography at an early age. He completed his professional studies at the ARCOS Institute, specializing in experimental and fine art photography, and has participated in various national and international collective exhibitions. Captivated by moving images, he later decided to study cinematography and color post-production at the Argentine Film Industry Union (SICA) to fully immerse himself in the audiovisual world.
Life of shadows
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Fotis/Mane Lazidis/Loopus
3
Greece
2022
An experimental animation that [doesn't] talk about all the things we think in secret, that [doesn't] talk about all the things we think are seen. There is a life of our own, a life of the whole world that we unwittingly create, but also unwittingly ignore. An observation on the invisible world and its effects, a new view on the microcosm of the world, a new position in the world of shadows.
Brief CV Education: Degree in Economics, University of Macedonia. Music Studies / Seminars: Classical guitar and music's theory at the Municipal Conservatory of Xanthi. In 2012 I attended the summer school organized by the Ionian University, Department of Music Studies entitled "Electronic music and sound interaction", with professors Andrew Mniestris, Theodore Lotis, Giannis Zanos and Filippos Theocharidis. In 2015 I participated in the experimental music improvisation workshop organized by the composer and improviser PhD Alexis Porfiriadis. In 2016 I participated in the seminar entitled "Music in between", organized by the associate professor of the Department of Music Studies, AUTh. Danae Stefanou at the Thessaloniki Concert Hall. Since 2015 I participate in the music improvisation ensemble "6daexit" which deals with free and controlled improvisation (performance of graphic and verbal scores of experimental music composers of the 20th and 21st century). In the following years, 2016 until today, I participated with the group in a series of festivals (Dimitria 2017, Multeece 2017, Openday May'68, “Music Bridge” an association program of the Onassis stegi Foundation and Panteion University Vol.4, European Music Day 2019 - Enclosures-Pass-Throughs / T.C.H. , Openday 2020 - Music ecologies. http://www.tch.gr/default.aspx?lang=el-GR&page=3&tcheid=2450 An experimental animation movie "cinesthesia" selected by international animation festival Icona 2021.
Little Peace Lily
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Marina Koulouri
9
Greece
2026
Guided by a speaking peace lily plant, a young woman (Lily), caught inside a toxic relationship, discovers how to claim her independence. As their stories unfold poetically in parallel, through intertitles inspired by silent films, the woman faces a choice: continue inhaling the toxins imposed upon her, or reclaim her breath and use it to live freely.
Marina Koulouri has worked in costume departments mainly on Greek, but also European, T.V and film productions, as well as theatrical productions, with the majority of them for the National Theatre of Greece. Her recent film credits also include working as a daily costumer on Christopher Nolan’s The Odyssey. She holds a degree in German Language and Literature from the National and Kapodistrian University of Athens and has undertaken training in Costume and Production Design at Vakalo Art & Design College. She has recently extended her artistic practice into filmmaking, creating her first independent experimental short film. In October 2026, she will begin her MA in Cinema in Education: Theory and Creative Practice at the Department of Digital Arts and Cinema of the National and Kapodistrian University of Athens.
Model Professor
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Peter Brinson
9
United States
2025
Model Professor is a short film about an A.I. named Evie, newly integrated into a small liberal arts college. Unbeknownst to the faculty and students, the school – in partnership with her company – has tasked her with evaluating which professors she might replace.
Peter Brinson has taught game design at the University of Southern California for more than twenty years. Working alongside the film school, he often contemplated making a dramatic film. With Model Professor, he collaborated with some of his students, who taught him the cinematic storytelling needed to express his perspective on education, technology, and culture today.
POETRIX
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Ioulia Lymperopoulou
7
Greece
2026
“POETRIX” (2026) is a short art experimental animation that was inspired by my dystopian novel “The smudge” (Taxideftis, 2021). It is about the interaction of conscious and subconscious, how the subconscious is formed in the course of life and can affect our actions and consequently the world. It all begins with a nightmare that triggers a repressed trauma to resurface and brings the main character “The Creature” face to face with itself as well. The character, wishing to be free from fear, does a brave deep dive into the subconscious and goes on an inner journey, like falling into a different Hades, to face the nightmare head on. On the way, it finds what has been repressed, what could have caused its heartbreaks and oppression, socially and personally, such as traumas, stereotypes, anything external that could have disoriented it from its path while obstructing it from listening to its inner voice. During this journey, various questions arise, such as what is really trapping it from reconnecting with itself: Being trapped in its own mind? Being trapped in a system that alienates, consumes the individual in its mechanism and is made for human machines? An awakening process begins and the character experiences emotions, such as pain and anger. The mind then pushes the body into motion in search of a solution. It wonders if the disasters in the world and in nature are caused because the world within has been reversed, reflecting this anomaly, which results in destruction and self-destruction. At some point, it encounters the “Magical Creature” that resides within, its inner voice, which symbolically makes a purgative and atoning sacrifice, so that the main character can change perspective and find a way out of its mental cage, aiming for Regeneration and for a new beginning. Technically, I combine images with written words and music, so that they represent the course and the “magical” transformations in a subconscious, dreamy and irrational world, as a poetic metaphor. The editing was realized in two phases. The first, working with the photographer Katerina Cheiladaki on an Apple pc. The second, editing all the material, including the music, using an editing program on my mobile phone. Genre, technical characteristics: mp4, Experimental Short – Video Art, silent
Ioulia Lymperopoulou is a Greek Italian writer, filmmaker, illustrator and art performer born in Athens, in 1978. She graduated from the Historical-Archaeological Faculty, Majoring in History, and attended a 2 year postgraduate study, in "Modern and Contemporanean Greek and European History", with a thesis on German-language interwar literature, at the University of Ioannina. Worked on research projects, historical archives. Was involved in theatre, television, short film productions. She writes prose in Greek and poetry in Greek and in English. Online Magazines (2011-2015) Also was the chief editor and editor of the CMOM CityMag-online magazine, editing, interviews, video creation. She also wrote the magazine "The Crazy Piñata". Wrote for MusicHeaven, Eupolis. Press Publications in: Klepsydra, Mandragora, Farfoulas, The Books' Journal. Online international literary and poetry magazine publications in: Mediterranean Poetry, Aloka Magazine, e-revista EgoPHobia, Nokturno, Suburban Witchcraft Magazine, Lit Magazine, Fresh Words. Participation in International Poetry Festivals: 1) ABCDETC 1st Poetry International Festival, online event on June 19th 2025, 19:00 (EEST), organised and supported by Wallachia International Film Festival and the Publishing House 2B.com3 (To Become Free) based in Bucharest, Romania. 2) ABCDETC 2st Poetry International Festival, live event on December 7th 2025. Organised and supported by Wallachia International Film Festival and the Publishing House 2B.com3 (To Become Free), based in Bucharest, Romania. Participation in International Art Festivals: Artworks: “Angel’s Eyes” (Mixed Media, 2025) και με την Trilogy “F r a g m e n t e d” (“Spacewalk”, “A Good Wish” & “Dive in the Dark”, Mixed Media, 2025) in The Art Tunnel Expo metro Barcelona, 16-29 June 2025. Artwork: “The Witch” (Mixed Media, 2022) in The Art Tunnel Expo metro Rome 24-25 January 2026. Artwork: "Cell_Re-cycling" (Mixed Media, Collage, Digitally Hand Drawn & Photography, 2026) in Expo Metro Madrid 20-21 June 2026. Languages Greek, Italian, English, French. Filmography: 1) “F r a g m e n t e d” (Art Experimental Short, 2023) 2) “13 Strokes...” (Art Experimental Short, 2023) 3) “Life Path” (Video Poetry Experimental Short, 2025) 4) “POETRIX” (Art Experimental Short, 2026) 5) "The Patch" (Short art animation, 2026)
Road to Nowhere
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
Giorgos Chamoxaras
4
Greece
2026
Filmed in Berlin, the film is an urban observation during an unexpected summer journey. At the same time, a young woman living her own summer somewhere, faces the question "why is summer's fault". Soon she starts a reflection on identity, escape, time and the fragile connection between the self and the world around us.
Giorgos Chamoxaras is an emerging filmmaker from Greece, who just finished studies in Topography Engineering in AUTH. His artistic practice has developed through experimental filmmaking, analog photography and personal film essays. His work explores in-between states, transitions and relationship between people, places and memory.
T H R E A T
Διεθνές Διαγωνιστικό πειραματικών ταινιών / Internatioonal Experimental Film Competition
David Ellis
3
France
2026
T H R E A T is a digitally generated experimental short film created from a discarded, public domain,1950’s police mugshot, in response to ever increasing racial and ethnic profiling where, as has long been the case, “people-of-color”, are regarded as a “threat”, too often ending tragically. The film’s construction mimics law enforcement tactical training range “pop-up” targets, that repeatedly pop up and down as they appear and disappear. The pulsing electronic soundtrack, specifically created by the film’s director for the film, reinforces its hard hitting visual impact, with the sound and visual images given equal importance. Social justice? You be the judge.
Born in Baltimore, Maryland (USA) in 1948, and growing up in and around Cape Cod Massachusetts, Ellis is a self-taught artist, photographer and film-maker. His most formative experience came when he travelled to New York City in 1966, and at just 18 years old, rented a one room studio on the 9th floor of The Chelsea Hotel and, purchasing paints and canvases, began fulfilling his dream to live and paint as the beat generation of artists and writers had done in this famous Hotel. There, he met and was invited to work as an assistant by fashion great Charles James, who lived and designed in the Chelsea at that time. He began working on James’ “Sound of Shape and Design” Project, created by James and partially funded by The Art Students League. There, he created project sketches, in this very abstract project that explored the movement of the human figure and the space surrounding it for James. It was here that he discovered the concept of negative space, and associated with other writers and artists in the Chelsea, friends of Charles James, such as Larry Rivers and writer, Charles Jackson.Warhol was busy filming Chelsea Girls and the hotel was bustling with all sorts of characters! This experience ignited his creative passion and imagination and set in motion a lifelong path of creative curiosity and self-learning through exploration and experimentation and the pushing of creative boundaries. He created his first experimental film in 1966 on single 8mm film. Other experimental films followed in the early 1970’s. SELECTED FILM SCREENINGS AND AWARDS 2025 - Fotofilm Festival, Istanbul - Finalist - Best Experimental Shorts - NO SIGNAL 2023 - JÁ FEST International Poetry Film Competition - Lisbon - Long Departure 2022 - AIDFF Athens Int. Digital Film Festival -Long Departure 2021 - OneTakeFilmFestival, Zagreb, Croatia 2021 - Suspaustas Laikas, Vilnius, LT - NO SIGNAL 2019 - New Filmmakers NY - Lamentation For Lost Dreams - 3 Études 2018 - VIFF Vienna Independent Film Festival - Lamentation For Lost Dreams 2018 - SENE Film Festival - Providence, RI - Time Retrograde 2017 - SENE Film Festival - Providence, RI - Long Departure 2017 - Open Air Film Festival, Minsk, Belarus - Long Departure 2017 - London International Short Film Festival - Time Retrograde 2017 - Girona Film Festival,SP - Time Retrograde 2017 - Prague Independent Film Festival - Time Retrograde - Best Experimental Film 2017 - Vienna Independent Film Festival - Long Departure & Time-Retrograde 2017 - US Super8 Film & Video Festival - Long Departure - Winner Best Film 2016 - PIFF Prague Independent Film Festival - NO SIGNAL - Best Experimental Short 2016 - Boston Short Film Festival, MA - Long Departure - Winner Best Experimental Short 2016 - Dallas VideoFest, Dallas, TX - Long Departure 2016 - VIDEOMEDEJA, Novi Sad, Serbia - Long Departure 2016 - Cannes Short Film Festival, Nice, FR- NO SIGNAL 2016 - Blow-Up Arthouse Film Festival, Chicago - UHF 2016 - Experimental Superstars Film Festival, Novi Sad,Serbia - XdubX 2016 - SENE Film Festival, Providence,RI,USA - NO SIGNAL - Audience Award 2016 - U.S. Super 8 Film & Video Festival - NO SIGNAL - Honorable Mention 2016 - Manchester International Film Festival,UK - XdubX 2015 - 401 Film Festival, Providence, RI - UHF 2015 - New Jersey International Film Festival - U H F- Honorable Mention 2015 - Festival Parachute Light Zero, Paris, France - U H F 2015 - HANGAR Centre de Producció, Barcelona,SP - Solo screening 2014 - LIVEMEDIA- Webcast interview & screening - Palabras Perdidas - Barcelona, SP 2014 - HANGAR Centre de Producció, Barcelona - Awarded 3 month filmmaker residency. 2014 - VIDEOFORMES International Digital Film Festival,Clermont-Ferrand, FR - U H F 2013 - RhodyWood Indie Film Makers, Providence, RI 2012 - Indie Film Makers Screening, Brooklyn Coffee House, Providence, RI 2012 - Gallery Eva, Provincetown, MA. - Selected Short Films
